Mixing & mastering

If you want to brighten the treble but it stings your ears, fixing it with EQ alone tends to cause other problems. Sort the causes in the following order: recording, sibilance, compressor, reverberation, and working volume.

Even if I strengthen the de-esser, sibilance remains, and only the voice becomes darker. In such cases, we will explain the detection band, processing order, two-stage processing, and measures to take before reverberation.

We will explain the causes of the sound becoming harder and flatter as the sound pressure increases, in terms of the roles of the low range, peak processing, high range, and limiter. We aim to create sounds that make you want to listen to more than just the numbers.

I want to keep my voice even, but it goes back, and only the consonants hurt. We will review attack, release, detection band, and gain reduction in order and organize how to bring them forward naturally.

Kick and bass overlap, only the bass is loud but there is no core. We will explain the steps to check the arrangement, length, phase, harmonics, and monitoring environment before cutting down the EQ.

I want to make it brighter, but it stings, and I want to remove it, but it becomes thinner. Before boosting the high frequencies, we will explain how to adjust unnecessary midrange, sibilance, overtones, and volume balance.

The reason why the voice goes deeper when reverberation is added will be sorted out from pre-delay, early reflections, high range, low range, ducking, and send amount.

The higher the sound pressure, the more the high range hits, the bass gets crushed, and the depth disappears. Review the peak, low range, sibilance, clip, and comparison volume before the limiter.

We will explain the role of EQ to adjust bass, midrange, and treble, the meaning of frequency, gain, Q, high pass, and shelf, and how to use it without making mistakes.

Explains the meanings of threshold, ratio, attack, release, and makeup gain, as well as setting procedures for beginners to use them naturally.

We will explain the role of reverb, which creates reverberation, and delay, which creates repetitive sounds, how to use send, pre-delay, tempo synchronization, and settings that do not muddy the sound.

We will explain the differences between mixing, which prepares each track, and mastering, which finishes the completed stereo sound source, the order of work, exporting, and points to note for beginners.