Plugins

If you want to brighten the treble but it stings your ears, fixing it with EQ alone tends to cause other problems. Sort the causes in the following order: recording, sibilance, compressor, reverberation, and working volume.

Even if I strengthen the de-esser, sibilance remains, and only the voice becomes darker. In such cases, we will explain the detection band, processing order, two-stage processing, and measures to take before reverberation.

I want to keep my voice even, but it goes back, and only the consonants hurt. We will review attack, release, detection band, and gain reduction in order and organize how to bring them forward naturally.

I want to make it brighter, but it stings, and I want to remove it, but it becomes thinner. Before boosting the high frequencies, we will explain how to adjust unnecessary midrange, sibilance, overtones, and volume balance.

If you buy only based on sale price or reputation, you will end up not using more plugins. We will summarize the criteria for selection, including trial versions, CPU load, latency, authentication, and update costs.

We will compare one-time purchases and subscriptions, taking into account not only the low monthly price, but also the number of books used, renewal fees, handling after cancellation, collaborative production, and OS compatibility.

The reason why the voice goes deeper when reverberation is added will be sorted out from pre-delay, early reflections, high range, low range, ducking, and send amount.

The higher the sound pressure, the more the high range hits, the bass gets crushed, and the depth disappears. Review the peak, low range, sibilance, clip, and comparison volume before the limiter.

We will explain the role of EQ to adjust bass, midrange, and treble, the meaning of frequency, gain, Q, high pass, and shelf, and how to use it without making mistakes.

Explains the meanings of threshold, ratio, attack, release, and makeup gain, as well as setting procedures for beginners to use them naturally.

We will explain the role of reverb, which creates reverberation, and delay, which creates repetitive sounds, how to use send, pre-delay, tempo synchronization, and settings that do not muddy the sound.